Waters of Mars
Nov. 15th, 2009 10:04 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
neadodsMuch of Waters of Mars was much better than I'd expected.
Aside from how weird it is to have the hero basically watching and not acting for much of the episode, the first 3/4 worked for me... probably because it was a retread of Fires of Pompeii, which is a bit of a favorite. The Doctor sees a crux in time and can't do anything about it, and it makes him sick and sorry... but sick and sorry is all he can be.
After CoE, there were several elements to Waters that I was outright relieved by. In a manner uncharacteristic and unprecedented in an RTD script, all the members of the organization acted in a professional, pragmatic manner. They mourned their falling friends, but they didn't piss around either; they knew the stakes and they owned their actions, and they were willing to do what they had to do for the greater good. It was so nice not to see someone being secretly selfish, or so bleeding heart that something else started bleeding.
It was also nice to see the Doctor attempting to comfort Adelaide, however clumsily. I was frankly expecting something along the lines of what Jack had done to Stephen - grabbed a confused person, sacrificed them, and then essentially been all "oh, woe is ME." The Doctor was not (at that point) making it about himself. He was trying to offer the one thing he could give her - the knowledge that it was not, in the end, all in vain.
And when it did become all about him... oh, how I wish that moment had been handled in an arc! It would have been much more powerful to see him going more and more self-centeredly out of control (as he has been, increasingly) but to see his companions noticing it too until we have a Very Special "Kick the Doctor's Ass" episode. A moment this obvious and this deep and this *delayed* should have had far more screen time than to be reached and dropped in roughly 10 minutes.
Mind you, I also saw exactly what I've come to expect out of an RTD script. Screen time wasted on silly modes of travel or discussion of modes of travel. Random daleks. A heaping helping of wangst in the finale. Even someone dying to make a point. (I can sort-of see her sacrificing herself to maintain the timeline the Doctor saw in what looked like museum descriptions to me, but it was not the world's best, much less clearest, way of handling the plot issue.)
Still looking forward to Eleven.
Aside from how weird it is to have the hero basically watching and not acting for much of the episode, the first 3/4 worked for me... probably because it was a retread of Fires of Pompeii, which is a bit of a favorite. The Doctor sees a crux in time and can't do anything about it, and it makes him sick and sorry... but sick and sorry is all he can be.
After CoE, there were several elements to Waters that I was outright relieved by. In a manner uncharacteristic and unprecedented in an RTD script, all the members of the organization acted in a professional, pragmatic manner. They mourned their falling friends, but they didn't piss around either; they knew the stakes and they owned their actions, and they were willing to do what they had to do for the greater good. It was so nice not to see someone being secretly selfish, or so bleeding heart that something else started bleeding.
It was also nice to see the Doctor attempting to comfort Adelaide, however clumsily. I was frankly expecting something along the lines of what Jack had done to Stephen - grabbed a confused person, sacrificed them, and then essentially been all "oh, woe is ME." The Doctor was not (at that point) making it about himself. He was trying to offer the one thing he could give her - the knowledge that it was not, in the end, all in vain.
And when it did become all about him... oh, how I wish that moment had been handled in an arc! It would have been much more powerful to see him going more and more self-centeredly out of control (as he has been, increasingly) but to see his companions noticing it too until we have a Very Special "Kick the Doctor's Ass" episode. A moment this obvious and this deep and this *delayed* should have had far more screen time than to be reached and dropped in roughly 10 minutes.
Mind you, I also saw exactly what I've come to expect out of an RTD script. Screen time wasted on silly modes of travel or discussion of modes of travel. Random daleks. A heaping helping of wangst in the finale. Even someone dying to make a point. (I can sort-of see her sacrificing herself to maintain the timeline the Doctor saw in what looked like museum descriptions to me, but it was not the world's best, much less clearest, way of handling the plot issue.)
Still looking forward to Eleven.
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no subject
Date: 2009-11-17 08:04 pm (UTC)The Captain especially. I wouldn't want to work with her. No flexibility whatsoever. And committing suicide (I refuse to call it sacrifice...Sacrifice would be to blow the Mars station up to save Earth) to make sure your progeny would be the ones to go out into space? Talk about ego. The Doctor cheated her out of her noble sacrifice, so she got her way by shooting herself. Talk about cutting your nose off to spite your face. Why not be there with your daughter and granddaughter and lead by example? Then again, as rigid as she was, perhaps its better this way. Who knows how the granddaughter would have turned out if she had known her grandmother?
Can you tell I didn't like her? It's one thing to be professional and another to be a control freak.
And what was with the Doctor in the last 10 minutes? I wonder it it was in reaction to how bitchy the Captain was, that he had to be just as bitchy? It was like a pissing match. Did the Master 'leap' into him during the trip back to Earth? I agree it was too sudden. It would have been better to lead up to his epiphany gradually.
no subject
Date: 2009-11-18 12:26 am (UTC)Although in the long run, she was just a toy, a little person that the Doctor was trying to manipulate one way or the other.