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Mixed feelings on this one. Some parts I really like: The Doctor's doubt about Clara, Clara's objection to him making her watch the entire history of the world in a few moments. Also, good horror movie tropes. And lovely continuity! Both of the inadvertent kind, (hello house good to see you again!) and of the obvious kind -- nice shout out to Planet of the Spiders. But what was that thing at the end? Did the monster get split from a different monster? Is the doctor just handing over the time traveler because the monster fell in love with her? Why doesn't the TARDIS like Clara?
Doctor Who is best when doing Gothic stories, but this one failed the dismount.
Doctor Who is best when doing Gothic stories, but this one failed the dismount.
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Date: 2013-04-21 02:45 pm (UTC)Thought it was quite clear, myself.
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Date: 2013-04-21 02:51 pm (UTC)no subject
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Date: 2013-04-21 10:27 pm (UTC)(And although they're reunited... they're a long, long way from home, yes? Not that happy an ending.)
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Date: 2013-04-22 02:29 am (UTC)no subject
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Date: 2013-04-22 01:28 am (UTC)Now that I'm buying on the ipad, I wonder if I'm going to be buying the DVDs or not. It's ironically easier to get it on iTunes than illegally dl it, such as when I was at 221BCon.
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Date: 2013-04-21 08:58 pm (UTC)Bad Wolf remains the best of the through-lines because it was subtle. Something I never quite thought I'd type about RTD's work on Who, but there you go. It gave you something to chew on without hitting you in the face.
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Date: 2013-04-21 10:35 pm (UTC)Now, Moffat's in between - every story has something that *might* be a throwaway line, and might not, and many lines given the stress of being important ended up going nowhere ("why did you say six months? it's important!").
On the other hand, I love the Moffat era for the whole "1 line for the old school" approach (Brave Heart, Canton; Metabalis 3 crystal, etc). Subtle, not necessary to know for the plot, but just makes us feel a little more like we really are part of this still.
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Date: 2013-04-21 08:59 pm (UTC)